Presented by Cole Haan
For my 31st birthday, my partner planned a bunch of tiny surprises for me. One of them was a custom-designed T-shirt. It was chocolate brown, and it had a logo on it that said "Well-Read Black Girl." Right in the middle was an emblem with my birthdate and a couple of my favorite authors, including Toni Morrison, Maya Angelou, and Alice Walker. Between him and me, it was an inside joke. I read a lot and I always had a book with me in bed; the idea was that I was the well-read black girl.
Every time I wore this shirt to the gym or running errands, I would constantly have people coming up to me, asking me questions and starting conversations. "Oh, what are you reading?" "Where'd you get your shirt?" It would lead to these wonderful discussions about who our favorite author was and what books inspired us.
The following spring, I decided to host a book club with a couple of my good friends. But first, I started the Well-Read Black Girl Instagram account; I wanted a place to have a larger conversation beyond the organic ones my T-shirt had started. When creating the Instagram account, I was inspired by archival photos from the Black Arts movement, a literary movement that included novelists and poets like Maya Angelou, Nikki Giovanni, and Rosa Guy. Their photos have always asserted a sense of pride and collective empowerment. My hope was to share their sense of optimism online. I also shared quotes from authors like Jamaica Kincaid, Zora Neale Hurston, and Zadie Smith. I was surprised by the incredible response, online and off. Readers were hungry for book suggestions and inspiration from writers.
Around the time I started the Instagram account, I ended up meeting author Naomi Jackson at Greenlight Bookstore in Brooklyn. I told her about the idea I had for the book club. I mentioned how moved I was by her novel The Star Side of Bird Hill, which is about two Brooklyn-born sisters who are sent to live with their grandmother in Barbados. Then I asked if she would join us for the first club meeting.
I was nervous about approaching Naomi, but in my experience, the worst thing a person can say is no. And a lot of the time, if you value your work, people will say yes. I believe that when you feel afraid or nervous to do something, that's probably an inkling that you should do it.
Naomi was gracious, and she agreed to host our first meeting. We had a small gathering at a bar in Brooklyn. Naomi read from the book and answered our questions about her creative process. She told us how she came to write such a rich story about black girlhood, homesickness, and displacement. We listened to her story of being a young black girl in search of love and acceptance in a foreign land — how that can feel both alien and familiar — and saw ourselves on the page. Jackson noted that the best gift you can give another writer is the gift of intelligent attention. We strive for that attention and commitment in every book-club experience.
Between Naomi's and my partner's support, I decided to go full throttle in making Well-Read Black Girl a virtual community. Sometimes it takes another person to tap you on the shoulder and help you realize your potential: It wasn't just me reading under the covers anymore. Other people wanted to connect over these books.
Well-Read Black Girl isn't the first time I've sought out a close-knit group; I've always served as a supporter and advocate of different communities. In high school, I was a cheerleader and was elected Student Government Association president. I was also subconsciously seeking the sense of community and empowerment I had felt in college at Howard University, a historically black college in Washington, D.C., and a space where black women's individuality and resistance to conformity is embraced. With Well-Read Black Girl, I was seeking a place to have conversations and make connections beyond my workday routine, to leave room for the unexpected to happen.